Quote of the Day: "I was starting to believe the reason it matters to care passionately about something is that it whittles the world down to a more manageable size." –Susan Orlean, Adaptation, The Orchid Thief
Each week I plot your equations dot for dot, xs against ys in all manner of algebraical relation, and every week they draw themselves as commonplace geometry, as if the world of forms were nothing but arcs and angles. God's truth, Septimus, if there is an equation for a curve like a bell, there must be an equation for one like a bluebell, and if a bluebell, why not a rose? Do we believe nature is written in numbers?She later on wrote in her workbook:
I, Thomasina Coverly, have found a truly wonderful method whereby all the forms of nature must give up their numerical secrets and draw themselves through number alone.Now in the present, a mathematician Valentine discovers Thomasina workbook and profuse enthusiastically about the mathematical chaos theory.
The math isn't difficult. It's what you did at school. You have an x and y equation. Any value for x gives you a value for y. So you put a dot where it's right for both x and y. Then you take the next value for x which gives you another value for y......what she's doing is, every time she works out a value for y, she's using that as her next value for x. And so on. Like a feedback....If you knew the algorithm, and fed it back say ten thousand times, each time there'd be a dot somewhere on the screen. You'd never know where to expect the next dot. But gradually you'd start to see this shape, because every dot will be inside the shape of this leaf.Further more, Val goes on to explain the chaos theory, where random events intervene to shape lives. Nature is written in numbers.
If you knew the algorithm and fed it back, say, ten thousand times, each time there'd be a dot somewhere on the screen. You'd never know where to expect the next dot. But gradually you'd start to see this shape, because every dot will be inside the shape of this leaf. It wouldn't be a leaf, it would be a mathematical object. But yes. The unpredictable and the predetermined unfold together to make everything the way it is. It's how nature creates itself, on every scale, the snowflake and the snowstorm.Then onto September 17, 2004, I came across this post by Ivan on his CreativeBits weblog. (BTW, this is a weblog I read everyday.) He wrote about the Fibonacci's numbers, which lead to the famous Phi number and the golden mean. The theory of the Golden Ratio explains how nature works. The rules and laws that govern growth. You will never look at artichoke the same way again.
Everything in our universe, such as the shape of hurricanes, the way the trees grow, the way the petals are arranged in a flower and even the structure of the human skeleton are all arranged by the golden means.This last weekend, I went to the Belmont Art Festival, it was rather paltry. I was stumbling around the community center and came upon a local artist gallery. They were exhibiting Counterparts: Art from Mathematics on, you guess it, number theory! It featured three artist: Dale Seymour, Nancy Macko, and Robert Lang.
Poles apart, yet inseparable, art and mathematics are the Oscar Madison and Felix Unger of world culture. Mathematics is "counterpart" to art in both senses of the term: something that closely resembles something else, something that is a natural complement to something else. Patricia Albers, curatorThanks to all for a lesson learned.